I observed the tightrope 'dancer'—because you couldn't call him a 'walker'—approximately halfway between the two towers. And upon seeing us he started to smile and laugh and he started going into a dancing routine on the high wire....And when he got to the building we asked him to get off the high wire but instead he turned around and ran back out into the middle....He was bouncing up and down. His feet were actually leaving the wire and then he would resettle back on the wire again....Unbelievable really....[E]verybody was spellbound in the watching of it. I personally thought I was seeing something I would never see again. I thought it was once in a lifetime.
The movie never mentions 9/11 and it doesn't have to, since you can't help but think about it as you see the beautiful photos of Petit making his crossing. It was the right decision for a lot of reasons.
I think the spirit of the movie is really captured by this New Yorker cover, which appeared on September 11, 2006.
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